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German Tour Reviews 2004

Badische Zeitung

Lahr und Region

 

Toronto Sun (July 2000) by Jim Slotek

Ego Magazine by Hugh Fraser

 

 Reviews from Germany - 2004 tour. (Translated)

Badische Zeitung - Celebrating Original Rhythm Guitar Artist: Mark Sepic

Lahr:  The Canadian Mark Sepic gave two exceptional Jazz and Latin concerts in Lahr this weekend:  Friday at Canada House and on Saturday at the Stiftsschaffneikeller.  During the two hour performance the talented guitarist went beyond many musical borders innovative layering and a variety of entertaining style directions.

     The artist displays proof that Rumba, Blues and Flamenco are not strictly separate genres.  The filigree game and the amazing dexterity, with which Sepic coaxes magical tones from his guitar, accord self-compositions like "Flame" or "Mariachi", unbelievable originality.  On the side he sprinkles in, sympathetic, loose, outgoing jokes and humour.  But also as talented rhythm musician Sepic puts the audience in amazement: Bossa nova, Calypso, Bolero - interchangeable rhythms - for him, no problem!  Because this full-blooded musician celebrates them in a very untraditional way: at first glance, everyday items like beer bottles, cigar cases or key chains have little to do with middle or south American music.  It comes across as if the simplest everyday objects in the hands of Sepic become great sounding musical instruments.  With the help of digital loop equipment which allows, following the old reel-reel method, principle percussion sounds to repeat all the time and crafting out of individual, apparently inconsequential elements, including jaw harps, fascinating sound layers, for example with "Cactus Castaneda".  That this way of planning does not end in chaos, but rather the impression is, there stands one multi-person percussion group on stage, speaks for Sepic's perfection and finesse. 

     Mark finished his show with a successful interpretation of James Brown's "I feel Good" and Sinatra's "I Get a Kick", for an impressed audience.  The family man from Toronto would definitely like to return to Ortenau: Whoever does not wish to wait for his next live performance, we recommend Sepic's self-produced CD "El Vaco".  The CD is hard pressed to recreate the live performance, but does portray the Canadian's art and playing ability.

 

Lahr und Region  A Guitarist with Many Sides Mark Sepic impresses with concerts at Canada Haus and Stiftsschaffneikeller

Lahr.  For Canadian Mark Sepic, music is above all ‘a great joy’, an area of experimentation, that he works on by far not only with his guitar.  Upon invitation from friends to be their guest for a few days in Lahr, he of his own will performed two different concerts.  In his Canadian hometown of Toronto, Mark Sepic is often found in schools.  He gives children lessons in early musical development, builds instruments with them from waste, and shares with them a feeling for rhythm.  Among his tools he includes a guitar, a microphone and all sorts of everyday objects that in his hands are transformed into musical instruments His most important tool is however a recording device, a ‘Loop-Station’ with which he can record individual sounds and layer them one on top of the other.  In an endless stream they become a rhythmic base, which he uses as the mainframe for his music.  For the children it is a pleasure, a game where they join in and can continuously discover new instruments.  That he doesn’t only amaze kids with it, he showed this weekend with two performances at Canada Haus and Stiftsschaffneikeller.  With visible pleasure he also had the adult audience discovering the new ‘tricks’ and listening fascinated to two concerts that played out like an entire band were performing.

     On Friday in Canada Haus an overly brave musician presented himself, a big boy in short pants who was clearly brought much pleasure by amazing his audience with the new.  With handmade drums and wooden percussion instruments, as well as everyday objects, he produced beats on top of which he played his music.  “What do you want to hear”, was a question asked of the familiar characters attending his concerts.  Flamenco and Latin American guitar music evolved into country, Italian schmaltz and a potpourri of unfamiliar.  At the end he played Jazz standards, which he accompanied with everything from double bass to wind instruments and the use of his vocal chords.  Clearly more in concerto form was the Saturday evening performance, which was the social event of the spring.   Before an audience of more than 100 at the Stiftsschaffneikeller, Mark Sepic presented a musical trip around the world.  He mixed Latin jazz with Flamenco and Blues,  demonstrating the high art of musical performance with his own body and his classy style on the acoustic guitar.  Whereto Sepic delivered numerous improvisations and self-written atmospheric compositions.   

 

Toronto Sun (July 2000) by Jim Slotek

Farrah and all that jazz

Farrah By Night:  "We're here with Farrah Fawcett, do we still have to pay?" asked the woman at the head of the entourage at the door of a certain private-but-popular West End after hours club. The answer was yes, and so they did.  And Farrah apparently had a great time for it Saturday (or rather early Sunday), catching a great set by local jazz maven Mark Sepic, who took a water taxi to get from his gig on a yacht to his favourite late-night boite.  The wee-hour partyer Farrah (who's here filming the mini-series Jewel) happily thanked all well-wishers, including that legendary Queen St. Impresario who called her "Cheryl." 

 

Ego Magazine by Hugh Fraser

Guitarist is guided by the Spirit

  It's El Duende -- the mysterious spirit and emotional storm that takes possession of the great Flamenco guitarists --that guides the music of jazzman Mark Sepic.  Sepic began guitar studies in the '70s at Hamilton's Westdale Secondary School with Ancaster teacher Ron Colling, who inspired him to keep going.  Keep going for this first real gig at the legendary Knight II coffee house and then got him ready to study music at York University. 

  It was at York that the music of the world poured in on the aspiring young player.  Lenny Breau started it and guest teachers like Zoot Sims and Eddie Lockjaw Davis brought the jazz, while the great Ghanaian drummer Abraham Adzenjyah and south Indian Mrdangam artist Sankaran brought the rhythms of Africa and Asia.  Despite these new musical doors opening at York, Sepic says he "got overly fried by the poverty, chastity and obedience" of student life and took his degree in part time bits, while getting heavily into Latin jazz with his eight-piece band Banana Beat in the late '80s. 

  "We had our Hamilton debut at Festival of Friends",  we've played the last five DuMaurier Jazz Festivals and we still rehearse regularly with an eye to recording in the near future."  The band is therapeutic, says Sepic, 36, who more often plays alone or in smaller combos.  That's when his individual style using gut strings and classical Flamenco techniques are married to his electronically-amplified jazz sensibilities.  It was studies with Flamenco aces David Serva and weekly jamming with 81 -year-old Flamenco master Robert Carter - students of the great Diego del Gastor- that brought El Duende to Sepic.  "It's the tongues of fire atmosphere, like a gypsy Pentecost that descends on guitarists. After the sleep deprivation of playing four-day fiestas, wine and exhaustion makes them susceptible to that vibe, "  Sepic says.  "It is irresistible and all-encompassing."